A playful bottle packaging inspired by three Lithuanian festivities: Carnival, St. Casimir Day, and Easter.
jueves, 4 de febrero de 2016
miércoles, 3 de febrero de 2016
martes, 2 de febrero de 2016
Woven Playgrounds by Alexandra Kehayoglou
http://trendland.com/woven-playgrounds/
domingo, 31 de enero de 2016
sábado, 30 de enero de 2016
Cardinal Points
Amigos, el próximo día 14 de Febrero
se termina "Puntos Cardinales"
Exposición colectiva comisariada por Vicky Romay y Frances Sinkowitsch,
con los artistas cubanos Esteban Blanco, José Ney, Antonio Nuñez yGerard Pavón.
Si estas cerca de New York no te lo
pierdas:
Galería
Cá D´Oro, de Mar - Sat 11 AM - 18:00. Gracias..
MATISSE IN ALL HIS GLORY: NEW TOME CHRONICLES THE ARTIST’S WORK AT THE BARNES FOUNDATION
Henri Matisse, Le bonheur de vivre, 1905–6, oil on canvas.
PHOTO: ©2016 THE BARNES FOUNDATION; ART: ©2016 SUCCESSION H. MATISSE/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
http://www.artnews.com/2016/01/29/matisse-in-all-his-glory-new-tome-chronicles-the-artists-work-at-the-barnes-foundation/Sharjah Light Festival 2016 Set To Dazzle With Over 23 Beautiful Shows
Masjid Al Noor / Courtesy of Sharjah Commerce and Tourism Development Authority (SCTDA)
http://islamicartsmagazine.com/magazine/view/sharjah_light_festival_2016_set_to_dazzle_with_over_23_beautiful_shows/
http://islamicartsmagazine.com/magazine/view/sharjah_light_festival_2016_set_to_dazzle_with_over_23_beautiful_shows/
viernes, 29 de enero de 2016
martes, 26 de enero de 2016
lunes, 25 de enero de 2016
Epic Geometric Patterns Made in Sand and Snow by Artist Simon Beck
Artist Simon Beck turns a walk on the beach into a work of art with these massive crop circle-inspired creations. Obviously each piece takes a huge amount of pre-planning but physically executing such intricate designs can take a full day trudging (sometimes well into the night).
https://www.facebook.com/snowart8848/
domingo, 24 de enero de 2016
sábado, 23 de enero de 2016
Making Africa: A Continent of Contemporary Design, Vitra Design Museum, Weil am Rhein.
With its new exhibition, Making Africa: A Continent of Contemporary Design, the Vitra Design Museum sheds a new light on contemporary African design. Focusing on a new generation of entrepreneurs, thinkers and designers from Africa, the exhibition aims to show that design in Africa is understood on a much more inclusive level than in Western societies and that design accompanies and fuels economic and political change on the continent. Making Africa features a plethora of work cutting across a wide variety of media, from the architecture of David Adjaye to the remarkable cardboard city models by Bodys Isek Kingelez.
http://www.design-museum.de/de/informationen.html
viernes, 15 de enero de 2016
jueves, 14 de enero de 2016
martes, 12 de enero de 2016
Nadie apuesta por los artistas jóvenes (excepto ellos mismos)
- MARTA MEDINA
- Parece que el mundo del arte siempre ha estado tocado de muerte en una perpetua agonía. "Hijo, no estudies Bellas Artes, que no tiene salida". Pero tras unos años de crisis, de no ver luz al final del túnel, hay que liarse la manta a la cabeza. Y si no hay salida, te la construyes. Si no me expones los cuadros, ya me los expongo yo. Son jóvenes, artistas y audaces, y quieren hacerlo a su manera........
- leer más: http://www.elmundo.es/f5/2016/01/11/5643144d268e3e006e8b4629.htm
lunes, 11 de enero de 2016
viernes, 8 de enero de 2016
jueves, 7 de enero de 2016
domingo, 3 de enero de 2016
sábado, 2 de enero de 2016
PORTADA DE NUESTRA WEB 1-15 ENERO 2016
Giuseppe Sticchi, www.gigarte.com/sticchinain/
Frammenti Ischia
Misure:40 cm x 50 cm x 1 cm
Tecnica:acrilico su tela
Stile:Surrealismo
viernes, 1 de enero de 2016
Thousands of pigments fill glass vials below the slatted wood ceilings of the new concept Pigment, an art supply laboratory and store that just opened in Tokyo by company Warehouse TERRADA. The store design was created by architect Kengo Kuma, utilizing bamboo and large open spaces to create a sense of unity with the outdoors and spark the imagination of those who enter.
Thousands of pigments fill glass vials below the slatted wood ceilings of the new concept Pigment, an art supply laboratory and store that just opened in Tokyo by company Warehouse TERRADA. The store design was created by architect Kengo Kuma, utilizing bamboo and large open spaces to create a sense of unity with the outdoors and spark the imagination of those who enter.
In recent years fewer artists have turned to more traditional methods of art making, diminishing the number of successors to these older forms. Pigment aims to provide hard-to-find tools for the preservation of older paintings while also inspiring the latest generation of artists to incorporate these older materials into newer works. In addition to selling brushes, pigments, special glues, and papers (some used in Japanese painting since the Meiji period), the store will also provide workshops by both art professors and manufacturers of the supplies housed in-store.
If you can’t make it to Japan to experience the space in person, you can browse Pigment’s large supply of pigments and rare materials on their online store here. (viaDesignboom)
martes, 29 de diciembre de 2015
jueves, 24 de diciembre de 2015
OPEN CALL FOR ARTISTS 10th Edition of the International Arte Laguna Prize
The major collective exhibition which will take place in the historical location of the Arsenale in Venice in March 2016.
The prestigious venue in the lagoon city will host the exhibition of 30 works of painting, 30 sculptures and installations, 30 works of photographic art, 10 videos, 10 land art projects, 5 performances which will be performed live during the exhibition's opening ceremony.
lunes, 21 de diciembre de 2015
British Museum boss MacGregor leaves Lampedusa cross
British Museum boss Neil MacGregor's final acquisition before stepping down is a cross made from the wreck of a refugee boat sunk in the Mediterranean.
The 2013 Lampedusa Cross was made and gifted by carpenter Francesco Tuccio, who lives on the Italian island.
The boat was carrying more than 500 refugees from Eritrea and Somalia, of which 151 people survived
sábado, 19 de diciembre de 2015
El crítico y curador peruano Gustavo Buntinx alertó sobre la crisis que está atravesando el mundo artístico y propuso alejarse "del gran ruido del arte contemporáneo"
El jueves último tuvo lugar la segunda jornada de Sur
Global: Horizontes para una nueva Bienal de Arte, una actividad de intercambio
entre artistas, curadores, críticos, coleccionistas y público en el Muntref
(sede Hotel de Inmigrantes).
En ella, el historiador del arte, crítico y curador peruano
Gustavo Buntinx se refirió -sin eufemismos- a la crisis por la que atraviesa el
mundo del arte. A continuación repasamos los extractos más salientes de su
alocución:
"En el mundo del arte se falsifica hasta las obras
inexistentes."
"El arte crítico hoy corre el riesgo de morir de
éxito."
"Son cuerpos inertes, amortajados a la espera de su
valoración de mercado. (Al referirse a las obras de arte actuales)."
"Hemos sido descubiertos, celebrados, y enterrados en
el mismo gesto (Al referirse al arte latinoamericano)."
"El aroma del dinero súbito enloquece."
"Asesinamos lo que consagramos."
"El arte contemporáneo empezó a morir cuando decidió
convertirse en un deporte de masas, en este capitalismo aeróbico."
"La espectacularización del arte es el beso de
Judas."
"La recuperación es posible solo si nos volvemos a un
ethos de gratuidad. Contra la profesionalización del arte."
"El arte debe ser un espacio (otro) donde lo que se
hace es perder dinero, no ganarlo."
"Hay que retornar a lo espiritual, recluirse,
apartarse."
"Buscar zonas de silencio, contra el gran ruido del
arte contemporáneo."
"Hay que recuperar la sensibilidad poética y la emoción
en el arte."
A Chinese Folk Artist’s Descendants Are Split by the Government’s Use of Their Family Legacy
Clay figurines, made in a style recognized across China as historical folk art, are being used in a Communist propaganda campaign, “China Dream.” Relatives of the sculptor who founded the style and studio 200 years ago have objected to its appropriation.
CreditSim Chi Yin for The New York Times
http://www.nytimes.com/2015/12/06/world/asia/a-chinese-folk-artists-descendants-are-split-by-the-governments-use-of-their-family-legacy.html?_r=0
martes, 15 de diciembre de 2015
PORTADA DE NUESTRA WEB 15 -31 DICIEMBRE 2015
Shadia Alem, Saudi Arabia, http://shadiaalem-rajaalem.com
jueves, 10 de diciembre de 2015
sábado, 5 de diciembre de 2015
Art at the heart of ecological transition
Art at the heart of ecological transition
At the
international conference on climate COP21 (Conference of parties), which takes
place between 29 November to 11 December 2015 in Paris, the second day brought
together 150 heads of State about the question of the “last chance” to curb
climate change. The whole of society, the art world included, is acting. While culture
has been recognized by the UN as three complimentary pillars of sustainable
development-social, economic and environmental- the UN conference is
accompanied by an extensive cultural program. This massive commitment of institutions
and artists seems to mark a turning point in the mobilization of society
against climate change and a new step for the holistic of contemporary art.
Antartica
Village
lunes, 30 de noviembre de 2015
sábado, 28 de noviembre de 2015
martes, 24 de noviembre de 2015
domingo, 15 de noviembre de 2015
HORROR IN PARIS
Bullet holes in the window of the Carillon café, in Paris, following Friday’s terror attack.CREDITPHOTOGRAPH BY PAOLO LEVI / EPA / LANDOV
Covered bodies outside a restaurant, following Friday evening’s terrorist attacks in Paris.
CREDITPHOTOGRAPH BY PHILIPPE WOJAZER/REUTERS VIA LANDOV
PHOTOGRAPH BY PHILIPPE WOJAZER/REUTERS VIA LANDOV
sábado, 7 de noviembre de 2015
martes, 3 de noviembre de 2015
CORRIDOR ELEPHANT PRÉSENTE :
Info: http://www.corridorelephant.com/
Si le interesa adquirir la revista: http://www.kisskissbankbank.com/revue-photographique-nicephore
Si le interesa adquirir la revista: http://www.kisskissbankbank.com/revue-photographique-nicephore
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