lunes, 6 de febrero de 2017

Suzanne Moxhay -

Arch (2016), digital pigment print

Interiors (2014-2015), In my recent work I have been exploring concepts of spatial containment in montages built from fragments of photographed and painted interiors. Architectures are disrupted by anomalous elements – contradictory light sources, faulty perspective, paradoxes of scale. Light casts shadows in the wrong direction, walls fail to meet in corners, an area of the image can be seen either as an enclosing wall or dark overcast sky.

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