Earthquake 2,
, 2006, 2,00m x 3,10m; acrylic and marker on canvasShani’s work “paralyzes” us in a manner that is not necessarily negative, while directing us toward a site devoid of hierarchies, a site that is apparently “under control,” whose palette is restricted and seems to exist in proximity to minimalism or to animation
http://www.gilmarcoshani.com/
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