miércoles, 31 de agosto de 2016
Darja Bajagić
Manuela Ruda & Sophie Lancaster, 2016
UV-printed aluminum-brushed Dibond with shaped MDF frame / acrylic paint, canvas
diptych approx. 57.25 x 46.47 x 1.5 in. + 57.25 x 42.25 x 1.5 in. / 10 x 10 ft
The body count in Unlimited Hate assembles an unlikely cast of women memorialized as cutout busts that evoke fanzine clippings as much as the flattened passion of Byzantine icons. These include “Manuela and Sophie,” 2016, a diptych using found photographs of Manuela Ruda and Sophie Lancaster. Ruda is a self-proclaimed Satanic murderess who together with her husband stabbed his mild-mannered workmate who loved The Beatles 66 times at the Dark Lord’s bidding in Witten, Germany (the couple would later say that they’d chosen him as their sacrificial victim because he was “so funny and would be the perfect court jester for Satan”). By contrast, Lancaster was a 20-year old Lancashire, England native who was fatally beaten in 2007 by five teenage boys, inexplicably enraged by her and her boyfriend’s ‘goth’ appearance.
http://darjabajagic.com/
Jo Smail
Puffball and Torn Tufts 2014 Oil, Acrylic,Found Fabric, Pencil, Collage on Canvas, 50’x 40” & #56, 2014 Archival Digital, Print 24”x18.5”
http://www.josmailartist.com/
http://www.josmailartist.com/
Heinz Mack -- The central theme is light. Sculptures and pictures are the media of his multifaceted oeuvre.
Sculptor of Stone, Water and Glass, 2007, Santander Consumer Bank AG, Mönchengladbach, photo: Heinz Mack
http://www.mack-kunst.com/
Allan Forsyth -- Photographic Artist
Fade into Light 003, 118x94cm, Photogram, C-Type Print, Diasec, Graphite Ash Frame
http://www.allanforsyth.com/
martes, 30 de agosto de 2016
lunes, 29 de agosto de 2016
Orit Hofshi -- My work process is characterized by the consistent preoccupation with the dimension of time
Reckon 2016, Woodcut, Rubbing, Oil sticks, Pencil color and ink on hand made Kozo & Abaca paper paper 40 x 60.6 in
http://www.orithofshi.com/
http://www.orithofshi.com/
Conrad Willems
'Without
title' No.68, Collaboration between artist and father. Brush, pen, watercolour
and ink on paper, 75cm x 150cm, (2015)
http://www.conradwillems.com/
Richard Prince
Untitled
(Cowboy), 1989, Ektacolor photograph, 50 x 75 inches,127 x 190.5 cm
http://www.richardprince.com/
Jean-Francois Boclé
Jean-François Boclé, Toxic Paradise,
edition of 20 + 2AP, 2015, series of paintings (each edition is made of a
minimum of 4 paintings), vinylic painting and graphite on paper Arches 356g,
variable overall dimensions, here 212 x 103 x 3,5 cm (42 x 34 x 3,5 cm each
framed), view of the studio, private collection. © Jean-François Boclé / Adagp.
http://www.jeanfrancoisbocle.com/
domingo, 28 de agosto de 2016
Suscribirse a:
Entradas (Atom)